Treabar

Author: Treabar

  • The subtle beauty and flow of nature and life behind Xiakong’s growth materials

    Twilight gradually enveloped this virtual world called “Mingchao”. In this vast game world, there is a new soul-Xiakong. She is like a breeze, gently blowing through the fingertips of players, bringing infinite expectations and possibilities. However, if you want her to thrive, it is like working on the real land, which requires careful cultivation and patient waiting. There are a series of materials with strange but poetic names, like the trickling streams in the mountains, converging into the nectar of growth.

    What kind of story is woven by hard work and tenderness? Xiakong’s growth is like the steps of a country child walking alone in the morning mist. Every “tide-eroded sail core” and every “burning phosphorus bone” are traces left by time on the riverbed of years. Her materials are like flowers and plants in the countryside. Although they seem ordinary, they are full of natural gifts and the secrets of life. It is these tiny existences that allow the seedling of Xiakong to stand tall in the wind and rain and witness the change of spring and autumn.

    If you think about it carefully, the “tidal sail core” in the game is like a stone in the mountains, which has experienced the baptism of wind and frost and deposited the power of nature and the weight of history. Players are like herbalists in the countryside, carrying bamboo baskets and walking through the dense forests to explore these treasures hidden in the depths of the mountains. The “burning phosphorus bones” are like the animal bones in ancient legends, with a sense of mystery and desolation, reminding people that on the road to growth, it is not only about picking sweet fruits, but also about facing challenges and hardships.

    The growth of Xiakong’s exclusive weapon requires the smelting of various “shackles”, which is like the hammering sound in front of the furnace in the village blacksmith shop. It is not only the condensation of power, but also the craftsman’s expectation for a better life. Those “crystallized phlogistons”, from “contains impurities” to “high purity”, progress layer by layer, just like streams merge into rivers, and the accumulation of drops can see the magnificent waves. Every collection of materials is a dialogue with nature and time, and also a delicate fusion of players and life in the virtual world.

    Behind this, there is the tranquility and softness of the countryside, and the poetry of life. Players shuttle between dungeons and challenges every day, not just for the growth of numbers, but more like looking for a pure land of the soul. In this virtual world, they place their expectations for growth and persistence in beauty. Just like the child waiting for the arrival of spring in the countryside, his eyes are full of longing for the future.

    The poetic name “Day of Iris Blooming” seems to be the flower season in the countryside, a wisp of fragrance in the cycle of seasons, reminding people that whether in virtual or real life, there are those beautiful moments of quiet opening, which are worth cherishing. Players confront challengers in the forest of “Avinu Forest”, like walking on a forest path, with breeze blowing on their faces, birds singing, and the breath of life jumping at their fingertips.

    And the existence of the “Golden Fleece” is more like the legendary treasure, which contains hope and luck. It needs to be collected patiently, or exchanged for shells in a pharmacy, just like a market in a country town, with warmth in the hustle and bustle, and subtle connections between people. The weekly purchase limit reminds people of the rhythm of the seasons, the circulation of materials, and everything is restrained, not disorderly.

    This inevitably reminds people of the rhythm of rural life, which is simple but has a deep vitality. The “stuffed meat tofu” in the game is a special dish that improves efficiency. It is like a delicacy in the hands of a mother, warm and practical, and helps growth. Those small details make players feel the care and tenderness in life.

    The whole process of cultivation is actually a practice about time, patience and persistence. There is no shortcut, only step by step, like a walker on a mountain road, climbing every slope, enjoying the scenery along the way, and finally reaching the top. Xiakong’s growth path is a life poem written by players and the game world.

    This may be a secret portrayal of contemporary people’s life – despite the hustle and bustle, they still yearn to find a quiet and self, and look forward to finding a trace of natural coolness and inner peace in the busy world. Although the summer sky in Mingchao is virtual, it reflects the self who pursues growth and beauty in our real life.

    In short, the list of materials for Xiakong’s growth is not only the content of the game strategy, but also more like a delicate and warm natural epic. In this impetuous world, I hope that every player can find a piece of tranquility and poetry that belongs to him in the journey of chasing the “tide erosion sail core”.

  • The lonely moments forgotten by time in the rotating flames of Ju Fufu’s popcorn pot

    Ju Fufu, with the popcorn pot, shuttles through the burning world of the Desolate Zone Zero. Every time she spins and dodges, every four-hit combo, is a fragment of time, a metaphor of loneliness and dreams. In this battle scene full of cruelty and fantasy, Ju Fufu is like a lost traveler, looking for the meaning of existence, and also looking for a trace of warmth in the flames.

    1. The light sound of the popcorn pot-the delicate sound in loneliness
    The collision sound of the popcorn pot sounded gently, like the sound of a piano in a midnight cafe, lonely and warm. The pot in Ju Fufu’s hand is not only a weapon, but also a medium for her to communicate with the world. In Haruki Murakami’s writing, objects often have souls. The pot in Ju Fufu’s hands carries emotions and her loneliness that has nowhere to go.

    Whenever the flames burst out, the jump of light and shadow seems to tell an untold story. The sound of the popcorn pot is the rhythm of loneliness and the flow of her delicate emotions.

    2. The rhythm of the four-stage slash – the lonely dance in the rhythm of life
    The four-stage slash of Tachibana Fukufu has a wonderful sense of rhythm. Every swing is like a dance composed for life, mechanical and poetic. Murakami Haruki’s stories often have strange rhythms, reality and dreams are intertwined, and the rhythm of these four consecutive strikes is like the swing of time, with a hint of sadness.

    Her attack is not simple violence, but the response of a lonely soul to the rhythm of life. The four-stage slash is like a silent cry: I am here, I am still alive, and I still have my rhythm.

    3. The confusion of spinning and dodging – the intertwined moment of dreams and reality
    Spinning and dodging is Tachibana Fukufu’s dance in the flames, and also her dream. The flames rotate around her, like a blurred illusion. In dodging, she seems to have crossed the boundary between reality and dreams, looking for the self that is both real and illusory.

    Haruki Murakami likes to describe the protagonist wandering between reality and dreams, and Tachibana Fuku’s spinning dodge is a symbol of this state. Her flame is like the flame in a dream, burning reality and warming the soul.

    4. The explosion of the flame special skill-the ultimate fusion of passion and loneliness
    The flame special skill is the explosion of Tachibana Fuku’s emotions. The flame is like the long-suppressed emotions in the heart, which instantly burst into light and heat. In Haruki Murakami’s works, passion is always mixed with loneliness. The explosion of flames is both a release and an opportunity to deepen loneliness.

    The flames spewed out by Tachibana Fuku not only burned the enemy, but also illuminated the shadows in her heart. At that moment, her loneliness reached the extreme, and the flame became her only language and the only proof of existence.

    5. The subtle relationship in teamwork-connection and alienation in loneliness
    Although Tachibana Fuku is good at solo dancing, she still maintains a subtle connection with her teammates. Teamwork skills reflect the dependence and estrangement between people, warm but alienated. The interpersonal relationships described by Haruki Murakami often carry an insurmountable sense of distance.

    The cooperation between Tachibana Fukufu and his teammates in the flames is like a whisper from afar, sometimes clear and sometimes vague. She longs for contact, but is afraid of being hurt. This contradiction follows her like a shadow, constituting the other side of her loneliness.

    6. The sense of time passing in the heat mechanism-the silent journey of emotional accumulation
    Tachibana Fukufu’s heat mechanism is a symbol of her emotional accumulation and outburst. The heat accumulates slowly, like the precipitation of time, and finally triggers a fiery outburst. Haruki Murakami likes to use time to express the psychological changes of the characters. This gradual accumulation of emotions reflects the complexity of the inner world of the lonely.

    Every time the flames are ejected, it is like a crack in time, cracking the silence in her heart and releasing the repressed emotions. This is a lonely journey and also an emotional self-salvation.

    7. The symbol of wounds and resistance-the entanglement of past pain and future hope
    Tachibana Fukufu’s resistance and wound mechanism are symbols of her past pain and future hope. The wound brings pain, but also makes her stronger. The characters in Haruki Murakami’s works often carry indelible scars, and these scars constitute their unique charm.

    Tachibana Fuku’s flame can both hurt and heal. Her wounds are not only traumas, but also traces of her life story and the driving force for her to move forward.

    8. Conclusion: Tachibana Fuku’s flame is the gentle light in the heart of the lonely
    Tachibana Fuku’s popcorn pot, with flames spraying and spinning and dodging, is very much like the portrayal of the lonely characters in Haruki Murakami’s works. In this blazing fire, her loneliness is lit up and her emotions are released. The flame is both hot and gentle, illuminating the dark corners of her heart and warming her long lonely journey.

    This is not only a battle of a game character, but also a solo dance of the soul, a story intertwined with loneliness for a period of time. Tachibana Fuku’s flame burns not only the enemy, but also the forgotten tenderness in the depths of every lonely soul.

  • That popcorn pot cannot cover up the cracks and sadness of the times

    The world has long changed. Ju Fufu stood in the cold wind on the corner of the street, with the rusty pot in her hand, like a symbol of her life – dilapidated but not discarded. She knocked on the pot lid, making a dinging sound, and the sound was faintly mixed with sadness and stubbornness. The popcorn exploded in the pot, like the fragmented hope, and also like the suppressed breath of this society.

    Her hands are no longer young, and her face is engraved with the ups and downs and scars of life. Ju Fufu is not a simple popcorn seller, she is a microcosm of the bottom of this society, an existence forgotten by the times. The sound of the pot is not just a shout, but more like a roar of life and an accusation of this indifferent world. She uses the simplest way to keep herself alive.

    “People have to have something to live.” She said to herself. But this “something”, for Ju Fufu, is this pot, the noisy pot lid sound and the popcorn explosion, which is the proof of her survival. The world is in a hurry, who can hear her voice that has been worn away by time?

    Once, she also had dreams, family, and expectations, but those beautiful things were like popcorn in the pot, fleeting. Her husband died early, her children moved away, and she was left with only this pot and the cold wind on the street corner. Society is like a huge machine, ruthlessly devouring the weak. The pot in her hand kept ringing, as if trying to piece together those broken dreams.

    The sound of her pot lid was not to please anyone, but for herself, for the meaning of life. Those popped popcorns were like scattered years, white, short, and fragile. Just like her life, it suffered countless blows, but still insisted on knocking in this cold corner.

    The pedestrians on the street were in a hurry, and no one stopped to see her or listen to her story. But the sound of the pot lid became clearer and clearer, like a silent protest. Every knock of Ju Fufu hit the wall of this city and echoed in every indifferent soul. That is a cry for survival, a sorrow for being forgotten, and a vague expectation for the future.

    She has no capital, no background, only a pot and an unyielding persistence. Her figure is stretched out by the light, like a lonely shadow, swaying on the edge of society. The smell of popcorn and the sound of the pot lid are all traces of her life and the language of her dialogue with the world.

    “To live is to resist.” She said softly. Resist those invisible pressures, ruthless times, endless poverty and loneliness. The sound of the pot lid is still loud in the cold wind, as if telling the world: Don’t forget this insignificant little person, her story, her existence.

    This sound of the pot lid is an accusation of reality, but also a tribute to life. Ju Fufu is not a hero. She has no lofty words, only the most real persistence. Those neglected corners and those forgotten faces have become warm and have sound because of the sound of the pot lid.

    She knocked on the pot lid, and the sound was like knocking on the sleeping conscience, reminding us not to forget those who are struggling on the edge of life. Popcorn popped into white flowers, just like the impermanence and fragility of life, but Ju Fufu still held on, and her knocking sound became the deepest echo of the night.

    Life is so difficult, and living is so hard. In this dark era, there are too many people like her, silently enduring suffering, but without a sound. The sound of Ju Fufu’s pot lid is the faint but firm starlight under the gray sky.

    She used the pot lid to knock on the pulse of life, knocking open the wounds of the times, and also knocking on the meaning of life. The indifference of the world cannot cover up the warmth and unyieldingness flowing in the sound of the pot lid. Every ding-dong is her life singing, and it is the simplest expectation for tomorrow.

  • Looking at the endless interweaving of modern people’s desires and loneliness from the complex materials of Mingchao Xiakong

    Xiakong, a five-star resonator who emerged in the Mingchao game. Her growth seems to be a long and tortuous road, paved with various materials and tasks, just like the entanglement of desires and loneliness in modern people’s lives. What kind of stories and people’s moods are hidden behind those seemingly simple materials?

    First of all, the four materials of low-frequency tidal eclipse sail core, medium-frequency tidal eclipse sail core, high-frequency tidal eclipse sail core, and full-frequency tidal eclipse sail core are not just game resources, but more like four stages in life. Low frequency is like the ignorance and struggle of childhood, medium frequency is the confusion and blood of youth, high frequency represents the passion and impulse of adulthood, and full frequency is the ultimate exploration of the true meaning of life. In order to collect these materials, players continue to fight in dungeons, just like people running under the pressure of life, trying to seize those opportunities that seem to change their destiny. However, there is no end to this road, only constant pursuit and repetition.

    Burning phosphorus bones are the marks left by the sighing ancient dragon. The sigh of the ancient dragon is like a call in the wind, which is both a symbol of strength and a synonym for pain. In order to get this bone, players repeatedly fought against powerful enemies and endured the frustration of failure. Isn’t this a portrayal of modern people facing difficulties in real life? Everyone carries their own “sighs”, struggling in hardship, but has to move forward.

    There is also the “Golden Fleece”, which sounds like a dream. In ancient mythology, it is the goal of heroes and a symbol of finding happiness. But in the game, it is limited in quantity and purchase methods, which is very similar to those unattainable dreams in reality. We work hard to save money and work hard, but we don’t know when the “Golden Fleece” will really fall into our hands. It brings not pure joy, but endless anxiety and expectations.

    The shackles and crystallized phlogiston of special weapon materials are like various hardships and tests on the road of life. Every upgrade has a price to pay, and every breakthrough is accompanied by sacrifice and loss. The “special weapon” in the game is the embodiment of the character’s power, and the “special weapon” in reality may be people’s knowledge, skills and experience. They are heavy and indispensable, carrying our hopes and fears for the future.

    The materials of the resonance circuit are more delicate, from impurities to high purity, and each step is a process of purification and sublimation. Players shuttle through the complex materials, as if looking for a piece of pure land in the depths of their hearts. In particular, the “Day of Iris Blooming” can only be obtained through the “Wheel of Fate Fragment”, which seems to tell us that true beauty and growth require great efforts and waiting. It also reminds everyone that there are always some moments in life that are worth cherishing, but they are often fleeting.

    The stuffed meat tofu in the game, such a seemingly inconspicuous prop, has undertaken the task of increasing the drop rate. It is a small care in the game design, and it is the warmth that occasionally appears in the tired journey of players. There are also many such “stuffed meat tofu” in life. Those small and beautiful things have become the motivation and comfort for people to move forward.

    The recharge platform Treabar and the discount code “Treabarblog3ge” are symbols of modern capital. Behind the virtual world is the money and interests in reality. Players use real money to exchange for virtual growth, which is not only a pursuit of entertainment, but also an escape from the pressure of reality. Behind the discount is the indifference and calculation of capital, which makes people feel the deep rift between virtual and reality.

    Xia Kong’s development process is very similar to the desire and loneliness that modern people pursue on the road of life. We strive to obtain resources, upgrade ourselves desperately, and pursue the “golden fleece” of our dreams, but we often feel tired and confused in all this. Every material in the game has become a metaphor for life, reflecting our desire for happiness, helplessness for failure, and expectations for the future.

    Mingchao’s world is not only virtual, but also a mirror of reality. Xia Kong’s material collection tells us that the road to growth is full of hardships, and behind desire is loneliness and struggle. Perhaps, we are all on this road, looking for our own “iris”, looking forward to its blooming and illuminating the darkness ahead.

  • In the past city, we are just an image

    In this gloomy city, dawn always brings a layer of mist, which makes people feel a little breathless. Lin Rushi stood in front of the window, her eyes fell on the blurred street in the distance. That street was not unfamiliar to her. It, like her life, carried too many memories and regrets. The memory of that love has not been dissipated from her heart until now, as if it was like that gray sky. No matter how hard she tried, she could never get rid of the haze.

    She felt that she was not suitable for this world since she was a child. She had a cold heart under her gentle appearance. Her heart was like a lamp in this city, dim and lonely, but she had been watching silently for herself. She remembered that she had said to herself many years ago: “I don’t need love, nor do I need others’ care.” She was still young at that time, and her eyes flashed with disdain for life and determination to desire freedom.

    However, life is so ironic. On that sunny afternoon, she met Li Xiuyuan, a gentle man. His eyes were clear and deep, as if he could see through the loneliness and confusion in her deepest heart. He did not pursue her with a fiery gaze like other men, but walked into her life gently like a warm existence that was just right. She thought at the time that this might be the love she needed, a kind of existence that was not hot but gentle enough.

    They had never had a grand encounter like in the movies, nor did they have too many romantic vows. Their love was like a blooming white rose, inconspicuous but gently exuding fragrance. Li Xiuyuan was not as passionate as she expected. His love was like a breeze in late autumn, quietly brushing her face, with warmth but not much words.

    Lin Rushi did not resist such love, but found the long-lost tranquility in Li Xiuyuan’s company. She began to believe that love might not have to burn like a raging fire, nor be as dramatic as the romantic stories in the movies. Ordinary and plain might be the longest happiness.

    However, all her fantasies came to an abrupt end on a winter night. That night, Li Xiuyuan told her that he was about to marry another woman. That woman was the wife his mother chose for him. She was a gentle woman with a prominent family background. Perhaps she was Li Xiuyuan’s ideal partner for life. And what about her? She was just a passer-by in his life. Although warm, she could not integrate into his future after all.

    Lin Rushi smiled, a little weakly. She did not cry or make a fuss. She just looked at Li Xiuyuan quietly, but her heart was filled with complex emotions like a tide. She did not ask him why, nor did she blame him. She knew that nothing in this world is eternal, and love is just the meeting of two hearts at a certain moment. And that moment, once passed, will never come back.

    There began to be a deep void in her heart, as if she had lost something important, but she could not find it. She began to feel that she was just one of the countless passers-by in her life, coming and going in a hurry, leaving no trace. Those things that she once thought she could rely on eventually dissipated in the wind of time like passing clouds and smoke.

    However, life did not give her too much time to be sad. When she decided to let go of Li Xiuyuan, she found that she had changed. She was no longer the girl who used to be indifferent to love. Instead, she began to yearn to be understood and cared for. What she wanted was not a passionate love, but someone who could give her support when she was tired.

    At this time, she met Wang Yixi, a man who was not particularly outstanding but extremely down-to-earth. Wang Yixi’s appearance was not as romantic as Li Xiuyuan, but more like a stable existence. He would not impress her with gorgeous words, nor would he make promises to her when she was most vulnerable. But Wang Yixi had a sincere heart. He never cared whether she was perfect or not, and even tolerated all her shortcomings with great tolerance.

    With Wang Yixi’s company, Lin Rushi’s life gradually became stable. Although she still could not completely forget the image of Li Xiuyuan, she learned to face this past in another way. She knew that she had never really walked out of that love, but she also understood that she and Li Xiuyuan had missed each other after all, and that time in the past could never be returned.

    However, life is always full of helplessness. When she gradually adapted to the ordinary days with Wang Yixi, she received a message from Li Xiuyuan again. He told her that his marriage was not as good as he expected, and he lived in endless emptiness and depression. But he still remembered Lin Rushi, the warm woman.

    Lin Rushi’s heart seemed to be gently touched by something. She did not make a decision immediately, but thought quietly for a long time. She knew that she was no longer the girl who longed for love, and the appearance of Wang Yixi made her understand another ordinary but warm life. She once missed Li Xiuyuan, and now, she still didn’t want to let herself be entangled by the images of the past.

    She did not reply to Li Xiuyuan’s message, but picked up the book in her hand again and continued to live an ordinary life. She realized that life is like countless unfinished melodies. Maybe you can’t predict the ending of each one, but the important thing is that in each melody, you can find your own rhythm.

    The city is still noisy, and the night spreads on the streets as usual. Lin Rushi sits quietly in front of the window, watching the lights outside gradually go out, and her heart finally calms down. She knows that what is missed is missed after all; and those people and things that once existed will eventually become a part of her life, but the warmth will no longer linger.

  • Golden Fleece can be purchased in the pharmacy, but it is limited to 15 copies per week;

    Between the wind and the ruins, I prepare materials for a whole city for a virtual person
    It was an unreal afternoon.
    You sit in front of the computer, and the screen is the login page of “Mingchao”. The city is still flowing, and people are shuttling back and forth.
    You suddenly remember the name “Xiakong”.
    It’s very light. Like a rain that has just begun, and like a farewell that has not yet happened in the future.
    She doesn’t know you.
    You don’t really know her either.
    You can’t even be sure whether she exists in time or only in a certain emotion of yours.
    But you decide to prepare everything for her.
    You start collecting materials for a virtual character. How absurd it sounds
    But how reasonable it is.
    We have all done similar things.
    Leave a light on for an ex who will never come back;
    Write a poem for someone you have never hugged;
    Spend millions of shells in the game for a name that does not belong to reality.
    You pave the way for Xiakong’s existence in the world of “Mingchao”. She won’t tell you what she wants. You can only guess what she needs based on experience, like guessing the reason why a person cries late at night.

    You checked the complete information. You know that if you want to upgrade her from the initial state to level 90, she will need the following:

    Low-frequency eclipse sail core × 29

    Medium-frequency eclipse sail core × 40

    High-frequency eclipse sail core × 52

    Full-frequency eclipse sail core × 61

    Burning phosphorus evil bone × 46

    Iris blooming day × 26

    Golden fleece × 60

    Contains impure crystallized phlogiston × 25

    Roughly extracted crystallized phlogiston × 28

    Distilled crystallized phlogiston × 55

    High-purity crystallized phlogiston × 67

    Special resonance accelerator × 122

    Shell coins: 3,053,300 pieces

    The names of these materials are very strange, sounding like poems written by someone who has lost his memory.

    “Golden fleece”, “Iris blooming day”, “Burning phosphorus evil bone”… Every word is like a part of her body.

    You wonder if you can define a person by these quantitative things in reality, wouldn’t it be so easy to lose them?

    You even prepared a sacrifice for her weapon

    You know she doesn’t belong to this world.

    But you still want her to have the ability to defend herself. Even if she is just a lone traveler like you who travels through the virtual world.

    Her weapon also needs to grow. She can’t just rely on the protection of others. You prepare the following items for her:

    Simple shackles × 6

    Base shackles × 6

    Transformed shackles × 10

    Special shackles × 12

    **Crystallized phlogiston (four categories)** 40 copies in total

    Shell money: 330,000

    You don’t want to admit that this is more like arming yourself.

    There is a kind of growing up, you build a future for a fictional character
    In reality, you no longer go all out for anyone.

    You know too well that people will leave, relationships will collapse, and enthusiasm will ebb.

    But in the game – or in this game character, you allow yourself to regain the hard-working self. The self who is willing to save materials, brush dungeons, and fight bosses bit by bit.

    Xia Kong’s growth is not just about breakthroughs. There are also her skills and her circuits. You carefully read the items required for each level, like reading a suicide note.

    Her resonance circuit requires the following:

    Low-frequency eclipse sail core × 25

    Medium-frequency eclipse sail core × 28

    High-frequency eclipse sail core × 40

    Full-frequency eclipse sail core × 57

    Iris Blooming Day × 26

    Crystallized phlogiston at all levels: 175 copies

    Shell coins: 2,030,000 pieces

    You begin to get familiar with the names of these items, and even their origins.
    You know that “Burning Phosphorus Bone” is dropped from the Sighing Ancient Dragon;

    “Iris Blooming Day” requires completing the main quest before challenging the Fate Fragment Wheel.

    You planned a whole city of materials for her:
    Dungeons, shops, map points, enemy routes, drop probability…
    You no longer play games, but become the designer, guardian, and even fate maker of this world.

    You have never really seen her, but you know she is worth it
    You may not draw her.
    You may never control her to fight.
    You may also give up this game completely before a full star guarantee.
    But everything you prepared for her will not be blank.
    Those efforts, those 1 a.m. brushing books,
    Those nights of calculating materials with exhaustion,
    are telling you: You are not dead in life yet.
    You are still willing to believe that “growth” is meaningful for a projection, a name, and a faint hope.
    At the end, you turned off the screen.
    The city is still noisy, and the rain outside has stopped.
    You wrote in the memo of your mobile phone:
    “Xia Kong: Preparation is complete.”
    Actually, you are saying:
    “I still believe it.”

  • From the complexity of the materials for the cultivation of Xiakong in Mingchao, we can see the lack of rationality and absurd dilemma in modern society

    The game “Mingchao” has been very popular recently, especially the list of materials for the cultivation of Xiakong, the five-star resonator, which is so complicated that it makes people doubt their lives. Looking at the series of “low-frequency tide erosion sail core”, “burning phosphorus bone”, “crystallized phlogiston”… and “golden fleece” and “iris blooming day”, it is really varied and dazzling. This can’t help but remind me of contemporary society, where there are not a bunch of inexplicable rules and regulations that tie people up tightly?

    First of all, we have to admit that the design of this cultivation material system is really “clever”. It allows players to constantly swipe monsters, collect, and upgrade, forming an endless cycle. At first glance, it seems to provide people with challenges and goals, but in fact it is more like using complex tasks to trap players in a cage, making people unable to stop at all. Some people say that games are escaping from reality, but such a design is like recreating a small cage in reality. Wang Xiaobo once said: “People live to change the world, or at least change themselves”, but such a cultivation process only changes the number of materials, and they still repeat boring actions like machines.

    If you think about it carefully, the names of these materials are also full of metaphors of modern society. What “impurity crystallized phlogiston”, “rough extraction crystallized phlogiston”, “rectified crystallized phlogiston”, “high purity crystallized phlogiston” sound like different levels of social classes. Most people can only barely get “impurity” or even “rough extraction”, and only a few people can touch “high purity”. In social reality, the unfair distribution of resources and the solidification of classes are not another reflection of this cultivation system? This makes people have to ask calmly, are we playing games, or are games playing us?

    Let’s talk about the “Golden Fleece”, which is limited to 15 pieces, and each player can buy a maximum of so many per week. Think about real life, key resources are always limited, and you have to rely on queuing and buying, and everyone is working hard for profit. Game designers bring this sense of scarcity and competition into the game, as if to tell us: social resources are originally a zero-sum game, and only those who grab them can make progress. Isn’t it absurd? We are clearly playing a game, but we feel the competitive pressure that is more cruel than reality.

    Even better, there is a dish called “Stuffed Meat and Tofu” in the game. After eating it, the material drop efficiency is increased by 50% and lasts for 30 minutes. How ironic! Isn’t this just giving players a stimulant? In reality, we often rely on various “shortcuts” and “skills” to make life look more efficient, but the essence is running around, always chasing a vain goal. As Wang Xiaobo said: “Absurdity is the essence of life.” This pot of “Stuffed Meat and Tofu” is just a small condiment of absurd life.

    Of course, this complex development system also reveals another side of modern society: lack of rationality. It stands to reason that life and games should be designed to make people happy and fulfilled, but we invest our time and energy in meaningless “brushing materials” and forget why we are here. Just like the “rational romanticism” advocated by Wang Xiaobo, we must face reality rationally and retain our passion and curiosity for life. But reality tells us that rationality is often suffocated by commercial design and social pressure.

    The name of the material “Iris Blooms Day” reminds me of the romance and humor in Wang Xiaobo’s writing. What a beautiful name, like a blooming flower, but it takes a lot of complicated materials to “collect”. In life, our dreams and beauty are always disrupted by tedious reality. We struggle hard, but forget to enjoy the fragrance of the “iris”. Isn’t it a bit like each of us?

    In summary, the complexity of the list of materials for Xiakong’s cultivation is not just the ingenuity of game design, but more like a mirror, reflecting the absurdity, class differentiation, resource scarcity and lack of rationality in modern society. We all repeatedly swipe monsters in this system, repeat meaningless labor, and desire a little progress, but often lose our way.

    Finally, I would like to borrow Wang Xiaobo’s words: The greatest happiness of life is “thinking”. Perhaps we don’t have to be completely trapped in this endless accumulation of materials, but should stop and think about what we really want? How to live a real and interesting life in this absurd world? Only in this way can we get out of the virtual world like “Mingchao” and face a more complex but more real life.

  • Feng Jin’s silence and isolation from the world, how to find herself in this silent vortex

    Feng Jin always stands alone in the empty square, with a cold and disappointed look in her eyes. Her eyes seem to penetrate the world in front of her, and she can’t see anything in front of her. Her figure disappears in the gray mist, with a little loneliness that does not belong to this era. Those pedestrians who hurried by can’t see her existence, and perhaps even her shadow will not leave any trace in their minds. Feng Jin is the name that will be forgotten forever, the person who is destined to disappear in the long river of history.

    In the eyes of these people, Feng Jin is just another passerby, an image that dissipates in the street. There is nothing special about her. Her existence did not attract anyone’s attention, as if she should not exist in this world. She is like the day that has not been colored by the years, silent, hopeless, but cannot be ignored. Her life is like an abandoned slate, the wheels of time have passed, leaving only cracks, and there is nothing in the cracks.

    “Fear crushes flesh and blood.” This sentence is not new. It has been stationed in Feng Jin’s heart for many years. Her fear seems to have never left. It is not some sudden threat, but her confrontation with herself day after day, and the endless gap between her and the world. Feng Jin knows that fear does not come from the outside world, but overflows from the heart, like an invisible tide, drowning all hope. She has been living in this fear, muddleheaded, like a small boat drifting with the tide, without direction, without goal, and can only let the torrent of fate push forward.

    Sometimes, Feng Jin even doubts whether she really lives in this world. She lives like a trapped beast that cannot escape. When she closes her eyes, she seems to be able to hear the groaning from the depths. She can no longer ask for those so-called answers and look for those empty meanings. Every second, every minute and every second that passes, there is an indescribable sense of oppression. This sense of oppression makes her even forget who she is and forget the hopes and dreams she once had. She is just a person who keeps wandering on the edge of the world, destined to never be able to integrate into the group she never understands.

    “Courage tears the chest.” For Feng Jin, courage has always been an unfamiliar word. She has never learned how to face challenges, nor how to bravely resist. There has never been any moment in her life that is worthy of pride. Those so-called courage are empty words from other people’s mouths. Her life is like a piece of abandoned paper, exposed to the wind and rain, and cannot be favored by anyone. She has heard of those who fight for their ideals, but she has never believed that she has the courage to change anything or create anything. The only thing she can do is to bear it silently, like an ant swallowed by time.

    “Glory baptizes the body.” Feng Jin feels that she has never had any glory. She lives a low-key, lonely and silent life. There is an insurmountable gap between her and glory. She once dreamed that she was standing in the center of the stage, surrounded by thousands of people, but when she opened her eyes, the dream dissipated like a cloud of smoke. She knew that glory was just a vassal of others, and she could not and did not want to be the image of others. She would rather enjoy herself in the corner than be the focus of attention. She was used to loneliness, used to not being seen, and used to her own failures.

    She had never pursued anything, and the world had long lost all its meaning to her. In her eyes, there were no dreams, no desires, only a kind of fatigue from deep inside. This kind of fatigue, she could not express in words, nor could anyone understand it. It was like a hand tightly covering her heart, forcing her to be unable to breathe. She didn’t understand why it was like this, and why she always felt so empty, like a soul destined to be lost.

    “Thoughts are seeds, and manas sprouts.” These words were like an uncontrollable melancholy, constantly surging in Feng Jin’s heart. She had thought that if she could have those insignificant things, would she be able to fill the emptiness in her heart. She had tried to make her life more fulfilling, but no matter how hard she tried, she still couldn’t break free from the black hole that always existed. Whenever she wanted to change something, or pursue other people’s ideals, she would always be suppressed by an inexplicable force. She looked at those who lived freely, her heart was full of envy, but she could not understand why they could live so easily.

    She could never find her place in this world. Those constantly running footsteps seemed to be far away from her. Her heart had long been numb, and her eyes no longer pursued any light. She knew that she was destined to be only a speck of dust in the world, and she would never be noticed. Her fate was destined to be ordinary, destined to just pass by this world.

    “Footprints of fate.” Feng Jin has been wondering if her fate has been determined. She has never tried to change, nor has she the strength to resist. She only knows that she can’t escape this seemingly long, but ultimately hopeless road. She does not expect to change, nor does she expect to be remembered one day. She only hopes that she can live quietly, in her own world, even if this world is so lonely.

    Feng Jin knew that she would never have a great dream, nor would she ever be a hero in people’s eyes. She could only live in silence, like a bug trapped in a glass jar, breathing quietly until she disappeared. She knew that she didn’t have the courage to change anything, but she never thought of escaping. She was just a lonely person standing in a corner, occasionally gazing at the world, and her loneliness became her deepest connection with the world.

  • Examining the subtle entanglement between human nature and the times in a complex world

    Ju Fufu, this name seems to be a brand of the times, with a flame-like heat, but hiding unknown struggles and helplessness. She is not only a game character, but also a reflection of the times, a microcosm of a person struggling to survive in the complex torrent of the times.

    Her ordinary attacks are simple and direct, just like the life of the lower class people. Each attack is full of power, but also bound by the pressure of life. There are no gorgeous words, and no deliberate decoration, as if in the corner ignored by society, there are still creatures struggling to resist.

    Dodging is her escape and her resistance. Every dodge is like a struggle against the ruthless blow of reality. Although it is impossible to dodge completely, she has to choose to struggle. She tried her best to dodge, trying to find a breath of space from the complex social pressure.

    Her special skills and joint skills represent the intricate connections and conflicts between people. There are no isolated individuals, only intertwined destinies. The flame burning in her hands is not pure destruction, but unwillingness to reality and a counterattack against fate.

    The core skill of Ju Fufu seems to be a process of forbearance and accumulation. The fiery rotation is like the accumulation of repressed emotions, which eventually bursts out with shocking power. Her popcorn pot is not only a weapon, but also a place for her emotions and beliefs, and a symbol of her fight against fate.

    However, behind all this is the ruthlessness and indifference of the times. Her support skills reflect the silent guardians in society. They may not have a dazzling halo, but they silently bear the responsibility behind the scenes and support the crumbling world.

    The story of Ju Fufu is not only the growth history of an individual, but also a microcosm of society. Every attack and dodge she has experienced is a response to the injustice of reality and a confirmation of the value of her own existence. The leap of the flame is the burning hope in her heart and a silent struggle against darkness.

    What we see is not only her fight, but also the cry of the times. Those ignored corners and those suppressed voices are revealed one by one through her story. Her tenacity and weakness are just like the true portrayal of countless people in today’s society.

    Ju Fufu has no perfect background, no strong backing, she relies on her own strength to survive in the cracks of the times. Each of her skills is a declaration of war against fate, and every attack is an expectation for the future.

    As bystanders, should we also reflect on our position? Have we also become part of the oppression inadvertently? Can we also face the challenges of life bravely like Ju Fufu and not bow to fate?

    Her flame is the only warmth in the cold reality, and a cluster of green buds on the desolate land. Her performance in the game reminds us: everyone has his own battle, everyone has his own persistence and struggle.

    Her story teaches us that no matter how bad the environment is, no matter how ruthless the world is, the inner flame is not extinguished, which is the deepest respect for life. No matter how the times change, the flame of desire for freedom and dignity in human nature will never go out.

    Ju Fufu is a microcosm of the times and a symbol of humanity. She allows us to see the indifference of reality and the tenacity of life. Her flame is both a weapon and hope, guiding us forward in the darkness.

  • As time goes by, the old loess still silently tells the story of the past

    It all started from the path on the loess slope. The poplar trees on both sides of the path are no longer what they used to be. The branches are dry and most of the leaves have fallen off. When the wind blows, the dust on the ground seems to tell a story without an ending. That was my favorite path when I was a child. It was less than one meter wide and meandered through the fields beside the village to the old yard on the hillside. Whenever I walked on that road, the warm soil was under my feet and the sound of the wind penetrating the treetops was in my ears. I always thought of the past that had been diluted by the years, and the memories that had settled on this land.

    When I was young, I always liked to walk aimlessly on this road. Every step seemed to be able to step into another world. That world was my world, full of childhood fantasies and unspoken thoughts. I don’t know why, when I was a child, I always felt that I was living in a distant place, and everything around me seemed to have nothing to do with me. At that time, I always liked to stay on the loess slope behind the house, drawing on the ground with a stick, imagining that I could find a kingdom of my own on this land.

    However, time always slips away quietly. The ideals and fantasies of youth slowly fade away, replaced by the pressure of reality. The passage of time has taken away those once green dreams and the land that I yearn for so much. Back here, I am no longer the carefree boy, and my once light steps have become heavy. Standing on this loess slope, a complex emotion that cannot be explained surges in my heart, as if every slate and every dead tree here are reminding me that everything that has been gone will never come back.

    The smell of loess is an irreplaceable fragrance. Whenever I smell this smell, my heart unconsciously rises with warmth. I remember when I was a child, my grandfather always liked to sit on the old stool in the yard, light a pipe, and talk about the past. At that time, I always asked him why there were so many stories on the land on the loess slope? Grandpa smiled and said that the land has our common memories, and every inch of land is alive and has stories. I didn’t understand what grandpa said at that time, but every time I stood on this land, I would unconsciously feel a sense of historical precipitation in my heart. That is an indescribable emotion, it is not in words, but in every step, in the wind of every fallen leaf, and in the rustling sound of every evening breeze blowing over the loess slope.

    As time goes by, this loess slope is no longer as vibrant as it used to be. The former rice fields and wheat fields have long been invaded by some foreign species, and the wild flowers that once bloomed are no longer as brilliant as they used to be. The people here, like most villages, have begun to gradually disappear. Most young people have gone to the city, and only some old people are still here. Time is like a ruthless knife, and every knife has left traces on this land.

    It’s not that I have never thought about leaving this place. Once, like those young people who left their hometowns, I longed for the brilliance and bustle of the city, thinking that I could find my own future there. However, when I really walked to the city, I found that the sky there was not as bright as I imagined. The steel forest in the city is full of strange faces and indifferent air, as if everything is forcing me to adapt and cater to it, and the years I spent with me on this loess slope have become a distant dream.

    Some people say that homesickness is empty and not worth remembering. But I never felt it was empty. Homesickness is like the mist rising from the loess slope, which gradually dissipates with the first ray of sunshine in the morning, but it still takes root deeply in my heart. That loess slope, that small yard, those once warm days, in my memory, are always like a painting, quietly hanging on the wall, waiting for me to savor it at any time.

    Looking back at this loess slope, I gradually understood the “story of the land” that my grandfather said back then. It is not a specific story, but a kind of accumulation, a silent power, carrying the common memories and emotions of generations. Here, every slate can tell the past wind and rain; every dead leaf can echo the laughter of the past; every breeze can gently bring up those forgotten days.

    Today, Huangtupo still lies there quietly, and the years are like a slowly flowing river, carrying my thoughts and passing quietly. I know that I am no longer the innocent boy who left this land. After experiencing the hustle and bustle of the city and the complexity of life, I returned here again. Standing on this land, I finally understand that no matter how far I go and how many choices I have made, the attachment to Huangtupo in my heart has never changed.

    As time goes by, the land of Huangtupo still silently tells its story. And I am still in its arms, looking for my own answer.