Tag: PUBG MOBILE

  • Looking at the endless interweaving of modern people’s desires and loneliness from the complex materials of Mingchao Xiakong

    Xiakong, a five-star resonator who emerged in the Mingchao game. Her growth seems to be a long and tortuous road, paved with various materials and tasks, just like the entanglement of desires and loneliness in modern people’s lives. What kind of stories and people’s moods are hidden behind those seemingly simple materials?

    First of all, the four materials of low-frequency tidal eclipse sail core, medium-frequency tidal eclipse sail core, high-frequency tidal eclipse sail core, and full-frequency tidal eclipse sail core are not just game resources, but more like four stages in life. Low frequency is like the ignorance and struggle of childhood, medium frequency is the confusion and blood of youth, high frequency represents the passion and impulse of adulthood, and full frequency is the ultimate exploration of the true meaning of life. In order to collect these materials, players continue to fight in dungeons, just like people running under the pressure of life, trying to seize those opportunities that seem to change their destiny. However, there is no end to this road, only constant pursuit and repetition.

    Burning phosphorus bones are the marks left by the sighing ancient dragon. The sigh of the ancient dragon is like a call in the wind, which is both a symbol of strength and a synonym for pain. In order to get this bone, players repeatedly fought against powerful enemies and endured the frustration of failure. Isn’t this a portrayal of modern people facing difficulties in real life? Everyone carries their own “sighs”, struggling in hardship, but has to move forward.

    There is also the “Golden Fleece”, which sounds like a dream. In ancient mythology, it is the goal of heroes and a symbol of finding happiness. But in the game, it is limited in quantity and purchase methods, which is very similar to those unattainable dreams in reality. We work hard to save money and work hard, but we don’t know when the “Golden Fleece” will really fall into our hands. It brings not pure joy, but endless anxiety and expectations.

    The shackles and crystallized phlogiston of special weapon materials are like various hardships and tests on the road of life. Every upgrade has a price to pay, and every breakthrough is accompanied by sacrifice and loss. The “special weapon” in the game is the embodiment of the character’s power, and the “special weapon” in reality may be people’s knowledge, skills and experience. They are heavy and indispensable, carrying our hopes and fears for the future.

    The materials of the resonance circuit are more delicate, from impurities to high purity, and each step is a process of purification and sublimation. Players shuttle through the complex materials, as if looking for a piece of pure land in the depths of their hearts. In particular, the “Day of Iris Blooming” can only be obtained through the “Wheel of Fate Fragment”, which seems to tell us that true beauty and growth require great efforts and waiting. It also reminds everyone that there are always some moments in life that are worth cherishing, but they are often fleeting.

    The stuffed meat tofu in the game, such a seemingly inconspicuous prop, has undertaken the task of increasing the drop rate. It is a small care in the game design, and it is the warmth that occasionally appears in the tired journey of players. There are also many such “stuffed meat tofu” in life. Those small and beautiful things have become the motivation and comfort for people to move forward.

    The recharge platform Treabar and the discount code “Treabarblog3ge” are symbols of modern capital. Behind the virtual world is the money and interests in reality. Players use real money to exchange for virtual growth, which is not only a pursuit of entertainment, but also an escape from the pressure of reality. Behind the discount is the indifference and calculation of capital, which makes people feel the deep rift between virtual and reality.

    Xia Kong’s development process is very similar to the desire and loneliness that modern people pursue on the road of life. We strive to obtain resources, upgrade ourselves desperately, and pursue the “golden fleece” of our dreams, but we often feel tired and confused in all this. Every material in the game has become a metaphor for life, reflecting our desire for happiness, helplessness for failure, and expectations for the future.

    Mingchao’s world is not only virtual, but also a mirror of reality. Xia Kong’s material collection tells us that the road to growth is full of hardships, and behind desire is loneliness and struggle. Perhaps, we are all on this road, looking for our own “iris”, looking forward to its blooming and illuminating the darkness ahead.

  • Program Gun: Trigger and Wait in an Unbalanced World

    There is a gun, it fell from the sky and then slid into the ground. It no longer belongs to the abyss of light, but is summoned by human desires in a whisper, becoming something available in some collective memory. A version change, 2.8, like an invisible hand, tore open the cell membrane of the programming language at night, transforming a symbol from airdrop to universal, it is called AUG.

    The M4 is still there, like a narrative that is constantly copied in history, repeating its own reliability and exhaustion without any surprise. And AUG, it is like exiting from a dream and entering the maze of reality.

    Players see numbers. 41 points of basic damage. Both are the same, but their trajectories do not overlap. This sense of balance is hypocritical, an illusion set up to cover up the tilt deep in the structure. The real difference lies in the undercurrent of recoil. The recoil of AUG – reduced 20% of vertical vibration and 10% of horizontal deviation. It is like a silent massacre, a mechanical existence that has been stripped of emotions by the system. It has been polished smooth, uniform, and even a little inorganic docility. What about the M4? It shakes in your hand. You need to use experience to control it, and use physical memory and inertia to resist it.

    This is not a comparison, but a conversation in the cracks of the code.

    Shooting becomes an experiment of thought. Who can accurately grasp the difference of 0.1 seconds? The reloading speed of AUG is a full second slower. This second is like the minerals precipitated by time in the strata, burning the edge of fate. Some people say it is a flaw, but perhaps it is the truth. You see your own reaction in this flaw, and see how the action of “waiting” collapses and reorganizes in the sound of gunfire.

    Bullet speed. 900 vs. 880. A weak but insignificant boundary difference. You can’t detect it in a high-speed exchange of fire, but it is there, attached to the air like a ghost. It is an early arrival, a flash of thought before language. AUG is like this idea – it appears early, but it doesn’t speak. It waits for you to understand, or be misunderstood.

    They coexist in the world generation pool, like two desires juxtaposed on the front and back of a piece of paper. The rarity of AUG is similar to that of M24. It is still uncommon, but it can be touched. This is a strategy and a confession: the power you can control is actually just a chance calculated in the algorithm.

    When you finally pick up AUG, you are not necessarily happy. Because you know that behind all the “gains” is a deeper “distortion”. You no longer believe in the will of the weapon itself, you only believe in whether the hand is stable and whether the heart has been freed from fear.

    Then you see those “skins”, those decorative shells, those appearances purchased with UC, like a kind of performance art where humans project their souls on the surface of weapons. You even begin to doubt whether the existence of these “skins” is more important than the function itself. Treabar appears in front of you, like a match vendor, selling a slightly warm possibility in a cold commercial context.

    You begin to doubt: Is this still a game?

    Or has it become a higher form of “simulation experience”, which not only makes you proficient in firearms, but also trains you to find yourself in multi-line narratives? You know that the M4 is faster, but you are willing to wait for the AUG to reload, just like you know that life is always full of flaws, but you are willing to gamble on the hope of change.

    So you take the AUG into the city, the wilderness and the airport, trying to build a certain order in a meaningless battle. Every shot is like a question: If there is no winner or loser in this world, who will this gun shoot at?

    And the answer is still hidden in the gap between the next reload.